The Liturgical Music of the Kehillah

נְעִימוֹת זְמִירוֹת יִשְׂרָאֵל

Our Music

The melodies of the Sabbath-morning service as we sing them — woven of the Western Sephardic rite and the great traditions of Amsterdam, London, New York, Rome, and beyond — gathered here with their sources and variations, alongside gems of classical Ashkenazi nussaḥ, Ḥassidic niggun, and contemporary harmonies.

The choir of Bevis Marks Synagogue, London, singing by candlelight.

About this collection

Each tune — or each group of tunes set to the same text — has its own panel, in the order of the service. Press any play button to listen.

Where more than one recording is gathered for a single text, the version marked As Sung at KKZZ is the melody as we usually sing it; the others are its sources and variations — the traditions from which it grew, or renderings we enjoy and occasionally sing, for comparison.

Poems not usually found in the siddur are transcribed and translated here.

  None of these recordings was made on a Sabbath or a Festival.  

The Order of the Service

Opening Hymn

In the early morning, before the congregation gathers.

№ 01

שַׁחַר אֲבַקֶּשְׁךָ

Shaḥar Avakeshkha

“Early I Will Seek You” — a reshut (introduction) to Nishmat of Yom Kippur.

As Sung at KKZZ

The version sung daily in Amsterdam until the Second World War.

Rabbi Jonathan Cohen & family

Amsterdam

Ḥazzan Daniel Halfon

The Text & Translation

Western Sephardic Nosaḥ. Solomon ibn Gabirol (Shelomoh ben Yehudah ibn Gabirol; Avicebron), c. 1021/22, Málaga – c. 1058, Valencia (some sources give c. 1070) — Hebrew poet and Neoplatonic philosopher of al-Andalus. A reshut for Nishmat on Yom Kippur.

I’ll seek You at day’s dawning,

O my Rock Who rescues me;

I’ll unfurl my prayer before You,

in the morning and at eve.

In the morning and at eve.

שַׁחַר אֲבַקֶּשְׁךָ, צוּרִי וּמִשְׂגַּבִּי,

אֶעֱרֹךְ לְפָנֶיךָ שַׁחְרִי וְגַם עַרְבִּי.

שַׁחְרִי וְגַם עַרְבִּי.

Before Your boundless greatness

I will stand and I will quail,

for Your eyes penetrate my heart

and all my thoughts You see.

In the morning and at eve.

לִפְנֵי גְדֻלָּתְךָ אֶעֱמֹד וְאֶבָּהֵל,

כִּי עֵינְךָ תִרְאֶה כָל מַחְשְׁבוֹת לִבִּי.

שַׁחְרִי וְגַם עַרְבִּי.

What could my heart or tongue do,

existing on their own?

And what strength would I have without

Your Spirit placed in me?

In the morning and at eve.

מַה זֶּה אֲשֶׁר יוּכַל הַלֵּב וְהַלָּשׁוֹן

לַעֲשׂוֹת, וּמַה כֹּחִי רוּחִי בְּתוֹךְ קִרְבִּי?

שַׁחְרִי וְגַם עַרְבִּי.

But lo, You love the songs

of humankind; so then,

I’ll give You praise for all the days

Your Spirit dwells in me.

In the morning and at eve.

הִנֵּה לְךָ יִיטַב זִמְרַת אֱנוֹשׁ, עַל כֵּן

אוֹדְךָ בְּעוֹד תִּהְיֶה נִשְׁמַת אֱלוֹהַּ בִּי.

שַׁחְרִי וְגַם עַרְבִּי.

Rhyming translation by Professor Marc M. Epstein.

The Order of the Service

Verses of Song

זְמִירוֹת

Zemirot (Ashkenazi: Pesukei de-Zimra) — the psalms and songs of praise that precede the body of the Morning Prayer.

№ 02

מִזְמוֹר שִׁיר לְיוֹם הַשַּׁבָּת

Mizmor Shir le-Yom ha-Shabbat

Psalm 92, for the Sabbath day. Setting by Louis Lewandowski, Berlin (1821–1894).

As Sung at KKZZ

Closing stich: “Tsaddik ka-Tamar.”

Louis Lewandowski

№ 03

שִׁירַת הַיָּם

Shirat ha-Yam

“The Song of the Sea” — Exodus 15.

As Sung at KKZZ

New York

Reverend Abraham Lopes Cardozo (Ḥazzan of Shearith Israel, New York, 1945–1995)

Variations

Alternating Ashkenazi cantillation & Sephardi hymnody · London

St John’s Wood, London — Dayan Ivan Binstock

Rome

Italian Sephardi rite — the congregation repeating the first verse (“I will sing unto ADONAY”) as a refrain

№ 04

תּוֹדוֹת אֵל

Todot El

“Grateful Thanks, Like Incense Wafting High” — a reshut (introduction) to Nishmat Kol Ḥai.

As Sung at KKZZ

Amsterdam · New York

Ḥazzan Daniel Halfon

Variation

“The Ancient Melodies” of Aguilar and de Sola (London, 1857) has a somewhat different version — though from a musicological point of view they are in fact the same melody. Here’s the “de Sola” version, sung by Rabbi Jonathan Cohen at the slightly ponderous speed recommended in the score.

London · “de Sola” (1857)

Rabbi Jonathan Cohen

The Text & Translation

An anonymous reshut (introduction) to Nishmat Kol Ḥai, here in a singable English rendering set beside the Hebrew.

My grateful thanks, like incense wafting high,

Your praise I’ll sing in Nishmat Kol Hai.

Grateful thanks, incense wafting high

Praises sung: Nishmat Kol Hai.

Praises sung: Nishmat Kol Hai!

תּוֹדוֹת אֶל וְנִיחֹחַי

תְּהִלּוֹת נִשְׁמַת כָּל חָי

תְּהִלּוֹת תְּהִלּוֹת

תְּהִלּוֹת נִשְׁמַת כָּל חָי

תְּהִלּוֹת נִשְׁמַת כָּל חָי

I extol Your powerful great Name, You’re

always blessed, our Sovereign, we acclaim You,

The soul You’ve vowed will never die,

Hymns the prayer: Nishmat Kol Hai.

Hymns the prayer: Nishmat Kol Hai.

שִׁמְךָ ה' אֱלוֹקֵינוּ

יִתְבָּרַךְ תָּמִיד מַלְכֵּנוּ

וְרוּחַ כָּל בָּשָׂר חַי

תְּהִלּוֹת נִשְׁמַת כָּל חָי

תְּהִלּוֹת נִשְׁמַת כָּל חָי

God, from my transgressions turn Your eye

From all my misdeeds— though unto You they cry

And let my praises to You fly:

My song to You: Nishmat Kol Hai.

My song to You: Nishmat Kol Hai.

אַל תֵּפֶן לְחַטָּאוֹתַי

וְאַל תִּזְכֹּר עוֹנוֹתַי

וְאָשִׁיר שִׁיר שְׁבָחֵי

תְּהִלּוֹת נִשְׁמַת כָּל חָי

תְּהִלּוֹת נִשְׁמַת כָּל חָי

Exalted One, to You alone I pray

Your lofty Throne in splendid array

Your fame I ever amplify,

As I rejoice: Nishmat Kol Hai.

As I rejoice: Nishmat Kol Hai.

תִּתְרוֹמֵם וְתִתְנַשֵּׂא

מֶלֶךְ רָם יוֹשֵׁב כִּסֵּא

לְךָ אֶתֵּן כָּל שְׁבָחֵי

תְּהִלּוֹת נִשְׁמַת כָּל חָי

תְּהִלּוֹת נִשְׁמַת כָּל חָי

Free us from this Exile dark and dread

Recall the words Your holy Prophets said

Raise up for us the son of Yishai

As we exult: Nishmat Kol Hai.

As we exult: Nishmat Kol Hai.

הַעֲלֵנוּ מִגָּלוּת בַּזֵּה

וּמַהֵר דְּבַר חוֹזֶה

לְהַעֲלוֹת אֶת בֶּן יִשָׁי

לְהוֹדוֹת נִשְׁמַת כָּל חָי

לְהוֹדוֹת נִשְׁמַת כָּל חָי

Bring us to Jerusalem directly

Your Holy Temple speedily erect, the

joyful shouts of thanks fill the sky,

As there we sing: Nishmat Kol Hai!

As there we sing: Nishmat Kol Hai!

תְּבִיאֵנוּ לְעִירֵךְ

וְכוֹנֵן בֵּית מִקְדָּשֶׁךָ

שָׂם אַקְרִיב אֶת זְבָחַי

וְשָׁם אָשִׁיר נִשְׁמַת כָּל חָי

שָׂם אָשִׁיר נִשְׁמַת כָּל חָי

The joys which ’round the bride and groom do flock

our high, exalted, loving God—our Rock

commands and savors from on high

As we join in: Nishmat Kol Hai!

As we join in: Nishmat Kol Hai!

שִׂמְחַת חָתָן וְכַלָּה

צִוָּנוּ צוּר מְאֹד נַעֲלָה

הִיא כְּקָרְבַּן נִיחֹחַי

תְּהִלּוֹת נִשְׁמַת כָּל חָי

תְּהִלּוֹת נִשְׁמַת כָּל חָי

Rhyming translation by Professor Marc M. Epstein.

№ 05

נִשְׁמַת כָּל חַי

Nishmat Kol Ḥai

“The breath of every living thing.”

As Sung at KKZZ

New York · choral

Choir of Shearith Israel, New York

Solo version

New York

Reverend Ira Rhode (Ḥazzan of Shearith Israel, New York, 1995–present)

New York

Reverend Abraham Lopes Cardozo (Ḥazzan of Shearith Israel, New York, 1945–1995)

London version

Choral

Bevis Marks Synagogue, London — 250th-anniversary service, 1951

Solo

Rabbi Jonathan Cohen

№ 06

אִלּוּ פִינוּ

Ilu Finu

“Were our mouths as full of song as the sea…”

As Sung at KKZZ

— Professor Marc M. Epstein

Sources

New York

Reverend Ira Rhode (Ḥazzan of Shearith Israel, New York, 1995–present)

New York

Reverend Abraham Lopes Cardozo (Ḥazzan of Shearith Israel, New York, 1945–1995)

London

Professor Daniel Jackson

London

Ḥazzan Halfon Benarroch

Ashkenazic variation

Dvekus

in the dvekus (devotional) style

№ 07

מַצִּיל אֲנִי

Matsil Ani Ram ve-Nissah

Transition into the close of the Verses of Song.

As Sung at KKZZ

Traditional Ashkenazi nussaḥ.

— Professor Marc M. Epstein

№ 08

שׁוֹכֵן עַד

Shokhen Ad

The close of the Zemirot.

As Sung at KKZZ

Traditional Ashkenazi nussaḥ.

— Professor Marc M. Epstein

The Order of the Service

Shaḥarit — The Morning Service

שַׁחֲרִית

The blessings of the Shema, the Amidah, and the prayers of the morning.

№ 09

יוֹצֵר אוֹר

Yotser Or

“Who forms light” — the first blessing of the Shema.

As Sung at KKZZ

“Dream Music” (Ḥassidic-style melodies that originated in a dream)

— Professor Marc M. Epstein

№ 10

אֵל אָדוֹן

El Adon

An alphabetic acrostic piyyut.

As Sung at KKZZ

— Professor Marc M. Epstein

Source

The (highly secular!) Elizabethan air “Mother Watkins’ Ale,” here in an instrumental version.

The Musicians of Swanne Alley

№ 11

לָאֵל אֲשֶׁר שָׁבַת

La-El Asher Shavat

“To the God who rested.”

As Sung at KKZZ

Traditional Ashkenazi nussaḥ.

— Professor Marc M. Epstein

№ 12

תִּתְבָּרַךְ צוּרֵנוּ

Tisbarakh Tsureinu

From the blessing of the luminaries.

As Sung at KKZZ

“Dream Music” (Ḥassidic-style melodies that originated in a dream)

— Professor Marc M. Epstein

№ 13

לָאֵל בָּרוּךְ נְעִימוֹת

La-El Barukh Neimot

“To the blessed God they offer sweet melodies.”

As Sung at KKZZ

Traditional Ashkenazi nussaḥ.

— Professor Marc M. Epstein

№ 14

אַהֲבָה רַבָּה

Ahavah Rabbah

“With abounding love” — the second blessing of the Shema.

As Sung at KKZZ

“Dream Music” (Ḥassidic-style melodies that originated in a dream)

— Professor Marc M. Epstein

№ 15

זוֹרֵעַ צְדָקוֹת

Zorea Tsedakot

From the blessing of redemption.

As Sung at KKZZ

Ḥazzanut (East-European cantorial styling) by Sophie Kurtzer — “Madam Sophie” (1896–1974), one of the best-known early-twentieth-century khazntes, women who performed cantorial repertoire publicly, on the stage but not in synagogue

№ 16

מַהֵר

Maher

“Hasten and bring upon us blessing and peace.”

As Sung at KKZZ

S&P, New York.

— Professor Marc M. Epstein

Source

New York

Reverend Abraham Lopes Cardozo (Ḥazzan of Shearith Israel, New York, 1945–1995), with choir

№ 17

אֱמֶת וְיַצִּיב

Emes ve-Yatsiv

“True and enduring” — recited after the Shema.

As Sung at KKZZ

“Dream Music” (Ḥassidic-style melodies that originated in a dream)

— Professor Marc M. Epstein

№ 18

עֶזְרַת אֲבוֹתֵינוּ

Ezras Avoseinu

“You were the help of our ancestors.”

As Sung at KKZZ

“Dream Music” (Ḥassidic-style melodies that originated in a dream)

— Professor Marc M. Epstein

№ 19

מִמִּצְרַיִם גְּאַלְתָּנוּ

Mi-Mitsrayim Gealtanu

“From Egypt You redeemed us.”

As Sung at KKZZ

“Dream Music” (Ḥassidic-style melodies that originated in a dream)

— Professor Marc M. Epstein

№ 20

רָם וְנִשָּׂא

Ram ve-Nissa

“Great and exalted” — the lead-in to the Amidah, echoing the Song at the Sea; Ashkenazi nussaḥ.

As Sung at KKZZ

To a melody of the Hallel D’Italia.

— Professor Marc M. Epstein

Sources of the Hallel DItalia melody

Florence / Padua

“Maskil Mikhtam,” a Roman-rite Italian piyyut by R. Mordechai Lattes, sung on the Friday night after the birth of a son, before the berit milah — sung by Fabrizio Durlo, musical director of Shirè Miqdash

Florence

“Yona, ma tehegi,” a Simḥat Torah piyyut by Yehudah Halevi — sung by Rabbi Joseph Levi (Chief Rabbi of Florence, 1996–2017)

№ 21

רָאוּ בָנִים

Rau Banim

“The children beheld God’s might” — the lead-in to the Amidah, echoing the Song at the Sea; Sephardi nussaḥ.

Sources

London

to a melody of the Hallel D’Italia

Paris

Ḥazzan Daniel Halfon

The Order of the Service

Removing the Sefer from the Ark

הוֹצָאַת סֵפֶר

The Torah is taken from the ark and carried to the reading desk in procession.

№ 22

The Full Service for Removing the Torah

A continuous recording of the order at KKZZ — its components follow below.

As Sung at KKZZ

Compilation

№ 23

כֹּהֲנֶיךָ

Kohanekha

“Let Your priests be clothed in righteousness.”

As Sung at KKZZ

Amsterdam

Amsterdam

Ḥazzan Daniel Halfon

Curacao

№ 24

בָּרוּךְ הַמָּקוֹם

Barukh ha-Makom

“Blessed is the Omnipresent, who has given the Torah to God’s people Israel.”

As Sung at KKZZ

London

Bevis Marks Synagogue, London — 250th-anniversary service, 1951

№ 25

גַּדְּלוּ רוֹמְמוּ

Gaddelu / Romemu

“Magnify ADONAI with me… Exalt ADONAI our God.”

As Sung at KKZZ

New York

Reverend Abraham Lopes Cardozo (Ḥazzan of Shearith Israel, New York, 1945–1995), with choir

Variations

Philadelphia

Jonathan Kaye

Philadelphia Organ

Professor Marc M. Epstein

Curacao

composed by Mordechai Capriles

№ 26

וְזֹאת הַתּוֹרָה

Ve-Zot ha-Torah

“And this is the Torah” — the scroll is raised to the four directions before the reading.

As Sung at KKZZ

New York

Reverend Abraham Lopes Cardozo (Ḥazzan of Shearith Israel, New York, 1945–1995)

The Order of the Service

Returning the Torah to the Ark

הַחְזָרַת סֵפֶר

The prayers of intercession, the psalms, and the procession back to the ark.

№ 27

הַנּוֹתֵן תְּשׁוּעָה

Prayer for the Sovereign & Government

As Sung at KKZZ

London

Lauderdale Road Synagogue, London — Rabbi Joseph Dweck with the choir, Choirmaster Jason Silver

Historical source

New York

David de Sola Pool, September 1950

№ 28

תְּפִלָּה לִשְׁלוֹם מְדִינַת יִשְׂרָאֵל

Prayer for the State of Israel

As Sung at KKZZ

London

Lauderdale Road Synagogue, London — Rabbi Joseph Dweck with the choir, Choirmaster Jason Silver

№ 29

מִי שֶׁבֵּרַךְ לַקָּהָל

Prayer for the Congregation

As Sung at KKZZ

London

Lauderdale Road Synagogue, London — Rabbi Joseph Dweck with the choir, Choirmaster Jason Silver

A Renaissance variation

New York

to a melody by Salomone Rossi (c. 1570–c. 1630) of Mantua, who introduced late-Renaissance polyphony into Jewish sacred music — Choir of Shearith Israel — Choirmaster Leon Hyman (1955–2021)

№ 30

בִּרְכַּת הַחֹדֶשׁ

Announcing the New Moon

Birkat ha-Ḥodesh.

As Sung at KKZZ

London

Lauderdale Road Synagogue, London — Rabbi Joseph Dweck with the choir, Choirmaster Jason Silver

№ 31

יְהִי שָׁלוֹם

Yehi Shalom

“May there be peace within our walls” — a piyyut sung for the birth of a child (berit milah).

As Sung at KKZZ

Florence

Italian rite, Florence

The Text & Translation

Yehi Shalom be-Ḥelenu is an anonymous early piyyut for berit milah, by a poet named Yehoshua (from its acrostic), first printed in Venice in 1522. We offer here versions for male and female. The Hebrew shown is the version for a boy.

May there be peace within our walls,

tranquility in Israel.

In a good sign, a child has come to us;

May this child live to see the Goel (Redeemer)!

יְהִי שָׁלוֹם בְּחֵילֵנוּ וְשַׁלְוָה בְּיִשְׂרָאֵל

בְּסִימָן טוֹב בֵּן בָּא לָנוּ בְּיָמָיו יָבֹא הַגּוֹאֵל:

May the child be fresh and flourishing;

And in the Divine Presence bask.

May the Torah for them be nourishing;

Let them teach all who care to ask.

הַיֶּלֶד יְהִי רַעֲנָן בְּצֵל שַׁדַּי יִתְלוֹנָן

וּבַתּוֹרָה אָז יִתְבּוֹנָן יְאַלֵּף דָּת לְכָל שׁוֹאֵל:

May the parents both be blessed;

may the child’s lifespan be long.

With a table always set,

with proper food for that journey long.

וּמְקוֹרוֹ יְהִי בָרוּךְ זְמַן חַיָּיו יְהִי אָרוּךְ

וְשֻׁלְחָנוֹ יְהִי עָרוּךְ וְזִבְחוֹ לֹא יִתְגָּאֵל:

May their name go forth everywhere;

when they grow may their worth be without bounds.

May they dwell with the God-aware,

Like Samuel and Yael in their time renowned.

שְׁמוֹ יֵצֵא בְּכָל עֵבֶר אֲשֶׁר יִגְדַּל יְהִי גֶבֶר

וּלְיִרְאֵי אֵל יְהִי חָבֵר יְהִי בְדוֹרוֹ כִשְׁמוּאֵל:

Until old age and full grey hair,

may they be full of every good thing.

May peace and abundant love be theirs;

Amen, let our assent ring!

עֲדֵי זִקְנָה וְגַם שֵׂיבָה יְהִי דָשֵׁן בְּכָל טוֹבָה

וְשָׁלוֹם לוֹ וְרֹב אַהֲבָה אָמֵן כֵּן יֹאמַר הָאֵל:

Concluding verse

For a boy:

May the newly-circumcised child among his people dwell, with his father and his mother. May his God be with him always, and with the whole house of Israel.

הַנִּמּוֹל בְּתוֹךְ עַמּוֹ יִחְיֶה לְאָבִיו וּלְאִמּוֹ

וְיִהְיֶה אֱלֹהָיו עִמּוֹ וְעִם כָּל בֵּית יִשְׂרָאֵל:

For a girl:

May the newly-named child among her people dwell, with her father and her mother. May her God be with her always, and with the whole house of Israel.

הַנִּקְרֵאת בְּתוֹךְ עַמָּהּ תִּחְיֶה לְאָבִיהָ וּלְאִמָּהּ

וְיִהְיֶה אֱלֹהֶיהָ עִמָּהּ וְעִם כָּל בֵּית יִשְׂרָאֵל:

Rhyming translation by Professor Marc M. Epstein.

№ 32

אַשְׁרֵי

Ashrei

“Fortunate are those who dwell in Your House” — Psalm 145, with its opening verses.

As Sung at KKZZ

London

Lauderdale Road Synagogue, London — Rabbi Joseph Dweck with the choir, Choirmaster Jason Silver

London

Bevis Marks Synagogue, London — 250th-anniversary service, 1951

New York

setting by Julius Mombach (1813–1880), German-born choirmaster at London’s Great Synagogue — Choir of Shearith Israel — Choirmaster Leon Hyman (1955–2021)

Contemporary variation

Mishkan · Chicago

№ 33

תְּהִלַּת ה׳

Tehillat ha-Shem

The closing verse of Ashrei.

As Sung at KKZZ, variously, depending on the Shabbat

London · Simḥat Torah morning

Ḥazzan Daniel Halfon

London · Simḥat Torah morning

Lauderdale Road choir — Choirmaster Jason Silver, with Ḥazzan Adam Muzikant

London · Simḥat Torah evening

Ḥazzan Daniel Halfon

№ 34

יָפוּצוּ אֹויְבֶיךָ

Yafutzu Oyvekha

An Italian-rite hymn for taking out or returning the Torah — Yoav b. Yeḥiel of Rome (?), first printed 1543/1544.

As Sung at KKZZ

Sung here by the Corale di Palmi — the worship ensemble of the Chiesa Cristiana Evangelica di Palmi, Calabria.

The Text & Translation

Yafutzu Oyvekha — an Italian-rite hymn for taking out or returning the Torah, built on Numbers 10:35–36; attributed to Yoav b. Yeḥiel of Rome, first printed in an Ashkenazic siddur in 5304 (1543/1544).

When the Ark sets forth Your foes will all flee, scattering

And when it rests, Your nation, then, will hymn their thanksgiving.

יָפוּצוּ אֹויְבֶיךָ בִּנְסֹועַ הָאָרֹן.

וּבְנוּחֹה עַמֶּךָ שִׁיר מִזְמֹור יָרֹן:

The Priests of Your people in vestments will appear;

Your Levites singing sweetly, their voices loud and clear.

Prized among the nations, of great praise and renown;

And when the Ark rests, let Israel’s joyous song resound.

וְכֹהֲנֵי עַמֶּךָ יִלְבְּשׁוּ רִקְמָה.

יֹאמְרוּ חֲסִידֶיךָ שִׁירָה בִּנְעִימָה.

גֹּוי עַל כָּל אֻמָּה שֶׁבַח וְיִתְרֹון.

וּבְנוּחֹה עַמֶּךָ שִׁיר מִזְמֹור יָרֹן:

Let the High Priest’s breastplate shine again as of old;

Let incense rise in perfumed clouds, with spices rare and bold:

For Aaron’s children, now anointed, to worship newly sworn.

And when it rests, let Israel’s song be born.

אוּרִים וְתֻמִּים כְּבָרִאשֹׁונָה.

קְטֹרֶת סַמִּים שְׁחֵלֶת וְחֶלְבְּנָה.

וְהָיָה לֹו לְמָנָה לְזֶרַע אַהֲרֹן.

וּבְנוּחֹה עַמֶּךָ שִׁיר מִזְמֹור יָרֹן:

For the sake of Your servant David, Yishai’s son, we pray;

Send Messiah to us and let tribute come Your way.

We will offer our gifts, a fiery oblation;

When Your Ark comes to rest, let Israel sing salvation!

בַּעֲבוּר עַבְדְּךָ דָּוִד בֶּן יִשַׁי.

שְׁלַח מְשִׁיחֶךָ וּלְךָ יֹובִילוּ שַׁי.

לְהַקְרִיב אִשֵּׁי מִנְחַת זִכָּרֹון.

וּבְנוּחֹה עַמֶּךָ שִׁיר מִזְמֹור יָרֹן:

Rhyming translation by Professor Marc M. Epstein.

№ 35

יִמְלֹךְ

Yimlokh

“ADONAI shall reign forever” — melody of Ḥayyim Wasserzug (“Lomzer,” 1822–1882), the Polish-born ḥazzan and composer who brought four-part choral synagogue music to Vilna and later to London’s North London Synagogue.

As Sung at KKZZ

New York · choir

Reverend Abraham Lopes Cardozo (Ḥazzan of Shearith Israel, New York, 1945–1995), with choir

London · New York

Ḥazzan Daniel Halfon

London

Rabbi Jonathan Cohen

№ 36

מִזְמוֹר לְדָוִד

Mizmor le-David

Psalm 29 — accompanying the procession to the ark, the scroll coming to rest on the final word, “Shalom.” The melody is Italian in origin.

As Sung at KKZZ

New York

Reverend Abraham Lopes Cardozo (Ḥazzan of Shearith Israel, New York, 1945–1995), with choir

London

Lauderdale Road Synagogue, London — Rabbi Joseph Dweck with the choir, Choirmaster Jason Silver

№ 37

הֲשִׁיבֵנוּ

Shuba / Hashibeinu

“Return us to You, ADONAI.”

As Sung at KKZZ

London

setting after Mendelssohn — Lauderdale Road Synagogue, London — Rabbi Joseph Dweck with the choir, Choirmaster Jason Silver

№ 38

וּבְנֻחֹה יֹאמַר

U-ve-Nuḥo Yomar

“And when the Ark rested, Moses would say…”

As Sung at KKZZ

Ashkenazi

Louis Lewandowski, Berlin (1821–1894) — Ḥazzan Naftali Herstik

The Order of the Service

Musaf & Conclusion

מוּסָף

The additional service.

№ 39

מוּסָף

Musaf

The additional Sabbath service.

As Sung at KKZZ

London

Lauderdale Road Synagogue, London — Rabbi Joseph Dweck with the choir, Choirmaster Jason Silver

№ 40

אֱמֶת מַלְכֵּנוּ

Emet Malkenu

As Sung at KKZZ

New York

Choir of Shearith Israel — Choirmaster Leon Hyman (1955–2021)

№ 41

אֲדוֹן עוֹלָם

Adon Olam

“Eternal Guide.”

As Sung at KKZZ, variously, depending on the Shabbat

New York

Reverend Abraham Lopes Cardozo (Ḥazzan of Shearith Israel, New York, 1945–1995), with choir

London

the melody of Reverend David Aaron de Sola (1796–1860), Amsterdam-born ḥazzan of Bevis Marks 1818–1860 — Lauderdale Road Synagogue, London — Rabbi Joseph Dweck with the choir, Choirmaster Jason Silver

Traditional Ashkenazi

Central and Eastern Europe

№ 42

יִגְדַּל

Yigdal

“Exalt the living God.”

As Sung at KKZZ, variously, depending on the Shabbat

London

Ḥazzan Daniel Halfon

London · High Holidays

Ḥazzan Daniel Halfon

London · High Holidays

Rabbi Jonathan Cohen & family

Balkans

Ḥazzan Daniel Halfon

Ashkenazi

The melody attributed to Meyer Leoni (Meir Leon), Great Synagogue, London

London · Bevis MarksThe inauguration of Rabbi Joseph Dweck
Rome · Tempio MaggioreThe end of the service on Hoshana Rabbah
№ 43

אֶחָד אַתָּה אֵל

Eḥad Attah El

The closing piyyut of the Padova rite.

As Sung at KKZZ

Padova

Fabrizio Durlo

Padova Organ

Professor Marc M. Epstein

The Order of the Service

At Home

סָבִיב הַשֻּׁלְחָן

Songs of the Sabbath table and of the close of the day, sung in the home.

№ 44

Bendigamos

The Western Sephardic grace after meals, sung in Spanish to close the table.

As Sung at KKZZ

Rabbi Shuviel Maaravi

the Cohen family

The Text & Translation

Bendigamos — the Western Sephardic grace after meals, in Spanish, sung to close the table. The refrain (“Alabado sea su santo Nombre…”) follows each verse; it ends with the Hebrew verse Hodu l’Adonai.

Bendigamos al Altísimo,

al Señor que nos crió;

démosle agradecimiento

por los bienes que nos dió.

Let us bless the Most High,

the One who raised us;

let us give thanks

for the good things we received.

Alabado sea su santo Nombre,

porque siempre nos apiadó.

Load al Señor, que es bueno,

que para siempre su merced.

Praised be the Holy Name,

for the mercy God has shown.

Give thanks to ADONAI, Who is good;

Whose Divine Love is everlasting.

Bendigamos al Altísimo,

por su Ley primeramente,

que liga a nuestra raza

con el cielo continuamente.

Let us bless the Most High,

first for the Torah,

which connects our people

with Heaven continually.

Bendigamos al Altísimo,

por el pan segundamente,

y también por los manjares

que comimos juntamente.

Let us bless the Most High,

secondly for the bread,

and also for the foods

which we have eaten together.

Pues comimos y bebimos alegremente;

su merced nunca nos faltó.

Load al Señor, que es bueno,

que para siempre su merced.

For we have eaten and drunk happily;

Divine mercy has not failed us.

Praise the One who is good,

for mercy everlasting.

Bendita sea la casa esta,

el hogar de su presencia,

donde guardamos su fiesta

con alegría y permanencia.

Blessed be this house,

the home of the Divine Presence,

where we keep the festivals

with happiness and permanence.

הוֹדוּ לַה׳ כִּי טוֹב, כִּי לְעוֹלָם חַסְדּוֹ.

Hodu l’Adonai ki tov, ki l’olam ḥasdo.

Give thanks to ADONAI, Who is good; Whose Divine Love is everlasting.

Translation by Professor Marc M. Epstein.

№ 45

הַבְדָּלָה

Havdalah

The ceremony of separation of Sabbath from the week.

As Sung at KKZZ

Nussaḥ of the Chajes & Lauffer families.

sung by the Epstein-Vető family, with a cameo by Áryeh David Vető

The Order of the Service

Special Occasions

מוֹעֲדִים וּזְמַנִּים

Hymns for the festivals and for the cycle of the Torah year.

№ 46

תְּנוּ שְׁבָחָה

Tenu Shebaḥa

A Simḥat Torah hymn for the Ḥatan Torah and Ḥatan Bereshit, by Reverend Jacques Judah Lyons (1814–1877).

As Sung at KKZZ

New York · choir

Reverend Abraham Lopes Cardozo with the Shearith Israel choir

Historical version

New York · choir

Reverend David de Sola Pool with the Shearith Israel choir

A livelier version

Ḥazzan Daniel Halfon

The Text & Translation

Tenu Shebaḥa — a Simḥat Torah hymn for the Ḥatan Torah and Ḥatan Bereshit. Lyrics and music by Reverend Jacques Judah Lyons (1814–1877), a Suriname-born Sephardic ḥazzan, rabbi, and communal leader at Shearith Israel from 1839 to 1877.

Praises we tender, songs we sing in awe,

To the Fashioner of Light and Giver of the Law;

This beloved Ḥatan / Kallah our Congregation chose

To bring the Torah’s reading to a close.

So let us rejoice with this pure soul in delight,

And may our God lift our prayers to their height,

Together with this dear friend who’s called forth by name,

To help the Torah’s glory shine as if in flame!

תְּנוּ שְׁבָחָה וְגַם שִׁירָה

לְיוֹצֵר אוֹר וּלְנוֹתֵן תּוֹרָה

בָּאִישׁ הַזֶּה הָעֵדָה בָּחֲרָה

לְהַשְׁלִים אֶת הַתּוֹרָה

אָנָּא נִשְׂמַח בְּנֶפֶשׁ טְהוֹרָה

וְנִתְפַּלֵּל לָאֵל הַנּוֹרָא

עִם הָאִישׁ אֲשֶׁר נִקְרָא

לְהוֹפִיעַ כְּבוֹד הַתּוֹרָה

בְּהַשְׁלִימוֹ אֶת הַתּוֹרָה

Praise, too, and song to God again we send,

To One with no beginning, and without end;

This is the Ḥatan / Kallah our Congregation chose

To open Torah’s reading as it flows.

So let us rejoice with this pure soul in delight,

And may our God lift our prayers to their height,

Together with this dear friend who’s called forth by name,

To help the Torah’s glory shine as if in flame!

תְּנוּ שְׁבָחָה וְגַם שִׁירָה

לִבְלִי רֵאשִׁית וּלְבְלִי תַכְלִית

בָּאִישׁ הַזֶּה הָעֵדָה בָּחֲרָה

לְהַתְחִיל אֶת הַתּוֹרָה

אָנָּא נִשְׂמַח בְּנֶפֶשׁ טְהוֹרָה

וְנִתְפַּלֵּל לָאֵל הַנּוֹרָא

עִם הָאִישׁ אֲשֶׁר נִקְרָא

לְהוֹפִיעַ כְּבוֹד הַתּוֹרָה

בְּהַתְחִילוֹ אֶת הַתּוֹרָה

Rhyming translation by Professor Marc M. Epstein.

The Sources

Whose voices these are

The recordings are drawn from many hands and traditions, offered here with gratitude and full credit.

The Lauderdale Road recordings

Recorded live of the choir and congregation at Lauderdale Road Synagogue, London, under the direction of Jason Silver and featuring Ḥazzan Adam Muzikant — including Rabbi Joseph Dweck, Senior Rabbi of the S&P Sephardi Community from 2014 to 2025, accompanied by the choir. They comprise the latter part of the Sabbath-morning service.

Conductor Jason Silver  ·  Melody Miles Ashdown, Yoav Oved  ·  Alto Clive Kennard, Eliran Kadussi  ·  Tenor Elliot Alderman  ·  Bass Gabriel Gottleib, James Mawson, Rick Sopher (part only)

The Lauderdale Road choir selections have been sponsored by The Sephardi Centre Limited. Individual not-for-profit use is allowed and encouraged. Commercial use of any kind is prohibited without prior permission in writing from The Sephardi Centre Limited.

Kindred Collections

More of the Sephardi song

Companion archives of the Western Sephardi liturgy and table, and the living melodies of the Spanish & Portuguese community.

The S&P Central Melodies directory — some 600 recordings of the Spanish & Portuguese tradition from Amsterdam, London, New York, Bordeaux, Florence, Gibraltar, and beyond — is gathered here in full.